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Women motion picture producers and directors --- Productrices et réalisatrices de cinéma --- Biography --- Dictionaries. --- Biographie --- Dictionnaires --- Productrices et réalisatrices de cinéma --- Dictionaries

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Sociology of the family. Sociology of sexuality --- Film --- Mediterranean countries --- Feminist films --- Women in motion pictures. --- Women motion picture producers and directors --- Cinéma féministe --- Femmes au cinéma --- Productrices et réalisatrices de cinéma --- History and criticism --- Biography --- Histoire et critique --- Biographies --- Cinéma féministe --- Femmes au cinéma --- Productrices et réalisatrices de cinéma

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En 1895, à Lyon, les frères Lumière inventent le cinématographe. Moins d'un an plus tard, à Paris, Alice Guy, 23 ans, réalise La Fée aux choux pour Léon Gaumont. Première réalisatrice de l'histoire du cinéma, elle dirigera plus de 300 films en France. En 1907, elle part conquérir l'Amérique, laissant les Films Gaumont aux mains de son assistant Louis Feuillade. Première femme à créer sa propre maison de production, elle construit un studio dans le New Jersey et fait fortune. Mais un mariage malheureux lui fait tout perdre. Femme libre et indépendante, témoin de la naissance du monde moderne, elle aura côtoyé les pionniers de l'époque : Gustave Eiffel, Louis et Auguste Lumière, ou encore Georges Méliès, Charlie Chaplin et Buster Keaton. Elle meurt en 1969, avec la légion d'honneur, mais sans avoir revu aucun de ses films - perdus et oubliés. C'est en 2011, à New York, que Martin Scorsese redonne un coup de projecteur sur cette femme exceptionnelle.

Guy, Alice, 1873-1968 - Bandes dessinées --- Productrices et réalisatrices de cinéma - France - Bandes dessinées --- Filmindustrie --- Geschiedenis --- Histoire du cinéma. --- Guy-Blaché, Alice, --- Guy-Blaché, Alice --- Women motion picture producers and directors --- Motion pictures --- Biographical comic books, strips, etc. --- Histoire du cinéma --- History --- Guy, Alice, --- Guy-Blaché, Alice

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"Black women have long recognized the power of film for storytelling. For far too long, however, the cultural and historical narratives about film have not accounted for the contributions of Black women directors. This book remedies this omission by highlighting the trajectory of the culturally significant work of Black women directors in the U.S., from the under-examined pioneers of the silent era, to the documentarians who sought to highlight the voices and struggles of Black women, and the contemporary Black women directors in Hollywood. Applying a Black feminist perspective, this book examines the ways that Black women filmmakers have made a way for themselves and their work by resisting the dominant cultural expectations for Black women and for the medium of film, as a whole"--

Cinema --- Productrices et realisatrices de cinema noires americaines --- Motion picture industry --- Motion pictures --- African American women motion picture producers and directors --- Histoire. --- History. --- United States. --- Black women, Black women directors, American film studies, African American directors, L.A. rebellion, mainstream media, black women movies, black narratives, African American women, African American studies, African American filmography, female directors, black feminism, gender studies, film, filmmaking, movie, directing, film studies.

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Offers intersectional, intergenerational, and international perspectives on nonfiction film- and video-making by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term “feminism”; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. --From publisher description.

Nonfiction films --- Feminist films --- kunst --- film --- feminisme --- film en feminisme --- kunst en feminisme --- documentaire --- vrouwen --- activisme --- Ahwesh Peggy --- Akerman Chantal --- 791.43 --- Feminist cinema --- Feminist motion pictures --- Women's liberation films --- Motion pictures --- Nonstory films --- History and criticism --- Films documentaires --- Cinéma et femmes. --- Femmes vidéastes. --- Réalisatrices de cinéma. --- History and criticism. --- Documentary films --- Women motion picture producers and directors --- Féminisme et cinéma --- Femmes vidéastes --- Catalogues d'exposition --- Féminisme --- Cinéma --- Philosophy and psychology of culture --- Film --- feminism --- documentary films --- documentary filmmakers --- cultuurkritiek --- documentary film --- Movies --- Art history --- Film directors --- Book --- Decolonization --- Documentaries --- Intersectionality --- Feminism and motion pictures. --- Feminist films. --- Femmes au cinéma. --- Femmes dans l'industrie cinématographique. --- Films autres que de fiction --- Films féministes --- Féminisme et cinéma. --- Nonfiction films. --- Productrices et réalisatrices de cinéma. --- SOCIAL SCIENCE / Feminism & Feminist Theory. --- Women in motion pictures. --- Women in the motion picture industry. --- Women motion picture producers and directors. --- filmmakers. --- Histoire et critique.